Publishing has always rewarded a clear identity. A house known for literary fiction stays there; a poetry imprint stays there too. Nu Voice Press, an imprint of Hubhawks, has taken the opposite bet. Its catalogue moves from mythic fiction to memoir to energy work to finance to dance, and instead of diluting its identity, that range has become the identity itself.
The mission is stated plainly by those close to the press: bring as many voices into the light as possible, regardless of the shelf they sit on. In an industry organised around what sells within a category, Nu Voice Press has organised itself around voices that deserve to be heard.
That range shows up clearly in two of its recent titles. Jay Divyam's None of Us Are Strangers draws on his exposure to India's cultural diversity, giving the book a nuanced worldview that runs through its characters, while his background writing marketing content for brands lends the storytelling a certain precision. Jaydeep Saha's Daedalus's Demon takes the catalogue in a different direction entirely, pulling from myth to build something closer to speculative fiction, proof that Nu Voice Press is as comfortable with genre invention as it is with grounded realism.
The nonfiction side of the list carries the same range. Womb & Chakra comes from Preeti Kandhari, widely regarded as one of India's first Energy Analysts, whose work integrates Astrology, Numerology, and Vastu as interconnected systems rather than separate disciplines, an approach that is less about prediction and more about awareness. Sumit Kukreja's Duck to Century draws on more than two decades in finance and entrepreneurship, including over a decade at EY leading finance transformation projects, experience that gives the book's account of setbacks and reinvention its credibility.
Even within personal narrative, the catalogue resists a single mould. Ira Kansal's Stuck in Monochrome grew out of a habit of writing poetry that began in school and has continued through years of filling diaries with poems and songs, later shaped further by a professional writing course. Dr Aditya Rattan's Moksha: The Divine Reversal brings the precision of two decades as a cardiologist into contemporary mythological fiction, a body of work already recognised and awarded First Position at the Delhi Literature Festival 2026.
There is something almost old-fashioned about the approach, a belief that a press can be defined less by what it sells and more by whose voice it chooses to carry forward. In a market increasingly shaped by algorithms and genre, Nu Voice Press seems willing to bet on the opposite instinct: that readers are hungry for range, and that a catalogue built on sincerity will always find its audience, one book, one voice, at a time.
As Nu Voice Press continues to expand its list, its guiding idea remains steady. The goal is not to build the widest catalogue in the market, but the most honest one, one voice at a time, until the range itself becomes the message.
